29.LEONIDOU 25 28.GIATRAKOU 10 27.IERA ODOS 28 26.DANIHL PROFITOU 18 25.SALAMINOS 72 24.PARAMITHIAS 6 20.IASONOS 45 21.IASONOS 47 22.PERDIKA 8 23.GIATRAKOU 28 12.KERAMEIKOU 28 13.KOLONOU 29 14.LEONIDOU 11 16.DELIGIORGI 43 19.IASONOS 26 18.LEONIDOU 26 15.LEONIDOU 9 17.LEONIDOU 15 11.KERAMEIKOU 32 10.KERAMEIKOU 43 09.KERAMEIKOU 51 08.AGISILAOU 92 07.KERAMEIKOU 73 06.THERMOPYLON 23 05.THERMOPYLON 27 04.LEONIDOU & MYLLEROU 03.LEONIDOU 38 02.LEONIDOU 36 01.GIATRAKOU 2, INFO POINT
Roman Signer, Sprengkiste, 1984, Mixed Media, Courtesy of the artist and private collection

Roman Signer, Sprengkiste, 1984, Mixed Media, Courtesy of the artist and private collection

Agnieszka Polska, The Forgetting of Proper Names, 2009, animated film, filmstill, Courtesy of the artist, ZAK | Branicka

Agnieszka Polska, The Forgetting of Proper Names, 2009, animated film, filmstill, Courtesy of the artist, ZAK | Branicka

Loredana Sperini, E invece non finische mai, 2010, Wax, mirror in plexi bell, 22x51x54 cm

Loredana Sperini, E invece non finische mai, 2010, Wax, mirror in plexi bell, 22x51x54 cm

Loredana Sperini, Untitled, 2011, Porcelain, paint, 20.7x6x1 cm

Loredana Sperini, Untitled, 2011, Porcelain, paint, 20.7x6x1 cm

Yorgos Sapountzis, Bike No.5 (Symmetry), 2011, Cloth, aluminium tubes, alu-tape, colour, 118x97.5x19 cm

Yorgos Sapountzis, Bike No.5 (Symmetry), 2011, Cloth, aluminium tubes, alu-tape, colour, 118×97.5×19 cm

Yorgos Sapountzis, The Door The Gates, Performance Kunsthaus Zurich, 2011

Yorgos Sapountzis, The Door The Gates, Performance Kunsthaus Zurich, 2011

Tanja Roscic, Untitled (Cat Pain 28), 2011, Oil, acrylic, pen, felt pen on paper and cardboard, 25.3x35.8 cm

Tanja Roscic, Untitled (Cat Pain 28), 2011, Oil, acrylic, pen, felt pen on paper and cardboard, 25.3×35.8 cm

Tanja Roscic, Untitled, 2011, Installation, various materials, 330x480x230 cm, Installation view Independent 2011, NY, USA

Tanja Roscic, Untitled, 2011, Installation, various materials, 330x480x230 cm, Installation view Independent 2011, NY, USA

Virginia Overton, 16 Mudflap girls (360°), 2011, Adhesive vinyl, 137x2365 cm

Virginia Overton, 16 Mudflap girls (360°), 2011, Adhesive vinyl, 137×2365 cm

Thomas Adank, Illusion, 2011, videostill

Thomas Adank, Illusion, 2011, videostill

Stefan Burger, Spider hiding behind Seth Price's "Hot to disappear in America", 2011, Lambda Print

Stefan Burger, Spider hiding behind Seth Price’s “Hot to disappear in America”, 2011, Lambda Print

Marc Bauer, Rabbit 2, 2006, Pencil and lithographic pen on paper, 32x45 cm

Marc Bauer, Rabbit 2, 2006, Pencil and lithographic pen on paper, 32×45 cm

Marc Bauer, History of Masculinity III, Installation view Attitudes, 2007, Geneva, Switzerland

Marc Bauer, History of Masculinity III, Installation view Attitudes, 2007, Geneva, Switzerland

12
ARTISTS

Thomas Adank, AG Retrograde Strategien, Marc Bauer, Rosemary Brown, Stefan Burger, Simon Dybbroe Moeller, Ohio, Virginia Overton, Agnieszka Polska, David Renggli, Tanja Roscic, Yorgos Sapountzis, Roman Signer, Loredana Sperini

ReMap3 ADDRESS
28 Kerameikou, ground floor
PERMANENT ADDRESS
Brauerstrasse 51 CH 8004 Zurich, Switzerland
All images Courtesy of the artist & Freymond-Guth Fine Arts, Zurich

Freymond- Guth Fine Arts
Thomas Adank, AG Retrograde Strategien, Marc Bauer, Rosemary Brown, Stefan Burger, Simon Dybbroe Moeller, Ohio, Virginia Overton, Agnieszka Polska, David Renggli, Tanja Roscic, Yorgos Sapountzis, Roman Signer, Loredana Sperini
& "All around zero. A small celebration of loss" orginized by Stefan Burger

Freymond-Guth Fine Arts has invited 5 gallery artists to develop site specific projects for the lower ground floor at Karameikou 28. The projects are meant to integrate into the given architecture and history of the building rather than being an arbitrary presentation of work in an anonymous exhibition.

Beside of these projects, Stefan Burger will organize a show with the title ‘All around zero. A small celebration of loss’.

The exhibition ‘All around zero – a small celebration of loss’ is situated in an environment between an incessantly swelling global art production and a drastic shrinking process of the Kerameikos district.

The exhibition project assembles current artistic methods as well as some curiosities who all try to name a vague or precise condition between existence and non-existence.

Different approaches of volatility and of dissolution as a phenomenological event are being pursued. The approaches reach from a romantic attribution of disappearance, to coincidental moments of erosion and dematerialization, to the use of emptiness motivated by institutional critique.

 

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