29.LEONIDOU 25 28.GIATRAKOU 10 27.IERA ODOS 28 26.DANIHL PROFITOU 18 25.SALAMINOS 72 24.PARAMITHIAS 6 20.IASONOS 45 21.IASONOS 47 22.PERDIKA 8 23.GIATRAKOU 28 12.KERAMEIKOU 28 13.KOLONOU 29 14.LEONIDOU 11 16.DELIGIORGI 43 19.IASONOS 26 18.LEONIDOU 26 15.LEONIDOU 9 17.LEONIDOU 15 11.KERAMEIKOU 32 10.KERAMEIKOU 43 09.KERAMEIKOU 51 08.AGISILAOU 92 07.KERAMEIKOU 73 06.THERMOPYLON 23 05.THERMOPYLON 27 04.LEONIDOU & MYLLEROU 03.LEONIDOU 38 02.LEONIDOU 36 01.GIATRAKOU 2, INFO POINT
PRIVATE DOMAIN HAS ALWAYS BEEN TRULY PUBLIC ID

PRIVATE DOMAIN HAS ALWAYS BEEN TRULY PUBLIC ID

D! “Four D!’s” (2009), Enamel Paint on Metal

D! “Four D!’s” (2009), Enamel Paint on Metal

D! “Dare” (2011), Mixed Technique on Metal

D! “Dare” (2011), Mixed Technique on Metal

D! “Three D!’s II” (2010), Enamel Paint on Metal

D! “Three D!’s II” (2010), Enamel Paint on Metal

D! “Three D!’s III” (2011), Enamel Paint on Metal

D! “Three D!’s III” (2011), Enamel Paint on Metal

D! & Waxhead “Devise” (2011), Mixed Technique on Metal

D! & Waxhead “Devise” (2011), Mixed Technique on Metal

D! “A Hundred D!’s [Purple]” (2008), Silk Screen Print / Edition of 10, 42 x 60 cm

D! “A Hundred D!’s [Purple]” (2008), Silk Screen Print / Edition of 10, 42 x 60 cm

D! “Polychrome” (2008), Silk Screen Print / Edition of 20, 60 x 60 cm

D! “Polychrome” (2008), Silk Screen Print / Edition of 20, 60 x 60 cm

D! “Seven D!’s II” (2009), Acrylics on Canvas, 50 x 50 cm

D! “Seven D!’s II” (2009), Acrylics on Canvas, 50 x 50 cm

D! “Six D!’s” (2009), Ceramic Enamel Paint on Aged Wood, 90 x 112 cm

D! “Six D!’s” (2009), Ceramic Enamel Paint on Aged Wood, 90 x 112 cm

13
ARTISTS/PARTICIPANTS

D!

ReMap3 ADDRESS
29 Kolonou
CONTACT

info@studio-four.org, +30 694 5167739

PERMANENT ADDRESS
Noti Botsari 4, Athens 117 41, Greece

Studio 4
Private Domain has Always Been Truly Public

Studio 4 presents the site-specific show “PRIVATE DOMAIN HAS ALWAYS BEEN TRULY PUBLIC”, curated by Andreas Fakis.

Contemporary artists who work on public domain come from varied fields, accompanied with contrasting creative backgrounds. Public artists with an “urban”, street oriented background can be recognised for their inventiveness and repetitiveness, which contributes in rendering their very own visual language and personal identity in public domain, a theoretically unconstrained environment that can be accessed by anyone at anytime.

Public artists can be recognised for the spontaneity with which they “overtake” public, private or unclaimed property, without necessarily devoting attention to any theory on ownership or permission. Instead of ownership or permission theories, space structure, space morphology, space state and space location form some of the main considerations and location assessment criteria for the artist.

 

“PRIVATE DOMAIN HAS ALWAYS BEEN TRULY PUBLIC” examines the human relationship with space and the criteria that lead human entities into rendering a space as private, public, or simply as an area, regardless of ownership.

D!, employees specific practises to express his viewpoint. His works form a captivating typographic and copywriting examination, as he has chosen to “restrain” his vocabulary by using only “D” verbs in his work. D!’s long existing relation with letter-forms in addition to the look and feel of his works makes clear that anything can be portrayed effectively typographically, thus negating the long-ago established “power” of a picture, equal to a thousand words.

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