29.LEONIDOU 25 28.GIATRAKOU 10 27.IERA ODOS 28 26.DANIHL PROFITOU 18 25.SALAMINOS 72 24.PARAMITHIAS 6 20.IASONOS 45 21.IASONOS 47 22.PERDIKA 8 23.GIATRAKOU 28 12.KERAMEIKOU 28 13.KOLONOU 29 14.LEONIDOU 11 16.DELIGIORGI 43 19.IASONOS 26 18.LEONIDOU 26 15.LEONIDOU 9 17.LEONIDOU 15 11.KERAMEIKOU 32 10.KERAMEIKOU 43 09.KERAMEIKOU 51 08.AGISILAOU 92 07.KERAMEIKOU 73 06.THERMOPYLON 23 05.THERMOPYLON 27 04.LEONIDOU & MYLLEROU 03.LEONIDOU 38 02.LEONIDOU 36 01.GIATRAKOU 2, INFO POINT
Kostas Bassanos, Sunset time 19:39, 2011, ink and wood, dimensions variable

Kostas Bassanos, Sunset time 19:39, 2011, ink and wood, dimensions variable

Dimitris Baboulis, Predestination support, 2011, ink on paper, 130 x 150 cm

Dimitris Baboulis, Predestination support, 2011, ink on paper, 130 x 150 cm

Maria Zervou, Structures of support, 2011, aquarelle and color pencils on paper, 70 x 100 cm

Maria Zervou, Structures of support, 2011, aquarelle and color pencils on paper, 70 x 100 cm

17
ARTISTS

Dimitris Andreadis, Dimitrios Antonitsis, Dimitris Baboulis, Manolis Baboussis, Kostas Bassanos, Martha Dimitropoulou, Dimitris Foutris, Maro Michalakakos, Aliki Palaska, Ioanna Pantazopoulou,  Dimitris Tsoumplekas, Maria Zervou

ReMap3 ADDRESS
15 Leonidiou, 2nd floor
CONTACT

ileanatounta@art-tounta.gr
+30 210 6439 466

PERMANENT ADDRESS
48 Armatolon & Klefton str 11471, Athens, Greece

ILEANA TOUNTA CONTEMPORARY ART CENTER
Like A (W)edge

Ileana Tounta Contemporary Art Center present the group show “Like a W(edge)” as part of ReMap3.
As the title of the show declares, the idea for this year’s participation of the Ileana Tounta Contemporay Art Center , is based in a pun on the English terms wedge (wedge) and edge (boundary).

The wedge is a simple mechanical tool that is primarily used to lift objects and the temporary stabilization in space. It is placed   in some way among the items to co-operate and restore the imbalance in both their use and their relation to space.
Accordingly , the fourteen artists of the gallery  operate and  “invade” virtually on the second floor of an abandoned building  thus creating a delicate balance .They redefine – even temporarily – the limits and the operation of the site, thus creating a new dynamic relations, considerations and debates.

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