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Ileana Tounta Contemporary Art Center present the group show “Like a W(edge)” as part of ReMap3.
As the title of the show declares, the idea for this year’s participation of the Ileana Tounta Contemporay Art Center , is based in a pun on the English terms wedge (wedge) and edge (boundary).The wedge is a simple mechanical tool that is primarily used to lift objects and the temporary stabilization in space. It is placed in some way among the items to co-operate and restore the imbalance in both their use and their relation to space.
Accordingly , the fourteen artists of the gallery operate and “invade” virtually on the second floor of an abandoned building thus creating a delicate balance .They redefine – even temporarily – the limits and the operation of the site, thus creating a new dynamic relations, considerations and debates.

Kostas Bassanos, Sunset time 19:39, 2011, ink and wood, dimensions variable

Dimitris Baboulis, Predestination support, 2011, ink on paper, 130 x 150 cm

Maria Zervou, Structures of support, 2011, aquarelle and color pencils on paper, 70 x 100 cm
Dimitris Andreadis, Dimitrios Antonitsis, Dimitris Baboulis, Manolis Baboussis, Kostas Bassanos, Martha Dimitropoulou, Dimitris Foutris, Maro Michalakakos, Aliki Palaska, Ioanna Pantazopoulou, Dimitris Tsoumplekas, Maria Zervou
15 Leonidiou, 2nd floor
ileanatounta@art-tounta.gr
+30 210 6439 466
www.art-tounta.gr
48 Armatolon & Klefton str 11471, Athens, Greece
ILEANA TOUNTA CONTEMPORARY ART CENTER
Like A (W)edge
Ileana Tounta Contemporary Art Center present the group show “Like a W(edge)” as part of ReMap3.
As the title of the show declares, the idea for this year’s participation of the Ileana Tounta Contemporay Art Center , is based in a pun on the English terms wedge (wedge) and edge (boundary).
The wedge is a simple mechanical tool that is primarily used to lift objects and the temporary stabilization in space. It is placed in some way among the items to co-operate and restore the imbalance in both their use and their relation to space.
Accordingly , the fourteen artists of the gallery operate and “invade” virtually on the second floor of an abandoned building thus creating a delicate balance .They redefine – even temporarily – the limits and the operation of the site, thus creating a new dynamic relations, considerations and debates.
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